In this German log post, Berit Bliesemann de Guevara reflects on her use of conflict textiles in teaching and suggests ways how arts- and crafts-based methods can be used in teaching peace and conflict studies and international politics.
‘International Relations’ is a broad term which encompasses a range of different issues (e.g. war and peace, climate change, security) which are approached from equally diverse perspectives. In this post, Lydia Cole explores a recent experience of teaching international politics to high school students using a range of conflict textiles.
This is the last part of Eileen Harrisson's journey into the world of arpilleras, featuring poetry and more of her stunning textile art work.
Dani House gives us powerful insights into the Embroidering for Peace movement in Mexico and reflects with curator Roberta Bacic on how ordinary but, at the same time extraordinary, the practice of embroidering handkerchiefs to denounce murder and forced disappearance in contemporary Mexico is.
Stitched Voices podcast no. 4 is here! Listen to the last of Liv Williams' insightful pieces on the power of conflict textiles.
In today's guest post by Lorna Dillon, we learn more about the history of arpilleras in Chile and beyond, which role they played and still play in denouncing human rights violations, and in the power of the seed of sewn solidarity.
Today, Eileen Harrisson continues her journey into the conflict and the world of arpilleras. Learn more about Continuum, her art work which was exhibited as part of Stitched Voices Aberystwyth, and about the family history and experiences that have found their way into her work.
What value do conflict textiles have for those who created them? And in what ways has the process of the Stitched Voices exhibition itself been valuable? Read our discussion of these questions here.
The third episode of Liv Williams' Stitched Voices podcast is here, featuring Stitched Voices team member Christine Andra and artist Eileen Harrisson - enjoy listening!
In this guest post, Tomoko Sakai reflects on the "Stitching Memoryscapes" exhibition that she organised in three cities in Japan in 2017: Tokyo, Kyoto, and Nagasaki. Read about textile explorations of war, the A-bomb, and natural and nuclear disaster in Japan and their dialogue with conflict textiles from Chile and around the world.