Following the Threads to Mexico

Dani House gives us powerful insights into the Embroidering for Peace movement in Mexico and reflects with curator Roberta Bacic on how ordinary but, at the same time extraordinary, the practice of embroidering handkerchiefs to denounce murder and forced disappearance in contemporary Mexico is.

My Journey into Conflict and the World of Arpilleras, Part 2 (of 3)

Today, Eileen Harrisson continues her journey into the conflict and the world of arpilleras. Learn more about Continuum, her art work which was exhibited as part of Stitched Voices Aberystwyth, and about the family history and experiences that have found their way into her work.

Textiles dealing with everyday memories of war, political violence and disaster: The Stitching Memoryscape exhibition, Japan, 2017

In this guest post, Tomoko Sakai reflects on the "Stitching Memoryscapes" exhibition that she organised in three cities in Japan in 2017: Tokyo, Kyoto, and Nagasaki. Read about textile explorations of war, the A-bomb, and natural and nuclear disaster in Japan and their dialogue with conflict textiles from Chile and around the world.

My Journey into Conflict and the World of Arpilleras, Part 1 (of 3)

Happy New year, dear Stitched Voices blog followers and friends! We have some more interesting and varied blog posts lined up for you, to make 2018 another year of explorations into the world of conflict textiles. We start with the relaunch of the first part of artist Eileen Harrisson's reflections on her personal "Journey into Conflict and the World of Arpilleras". Enjoy reading!

Collective art as resistance and activism: The arpillera “We are seeds”

The arpillera "We are seeds" was not made to be exhibited in an arts gallery. It was made to protest - against environmental pollution caused by the oil industry, forced diappernaces and other injustices in Mexico. Learn more about this disobedient object and its protest life in Jimena Pardo's guest post.