Dani House gives us powerful insights into the Embroidering for Peace movement in Mexico and reflects with curator Roberta Bacic on how ordinary but, at the same time extraordinary, the practice of embroidering handkerchiefs to denounce murder and forced disappearance in contemporary Mexico is.
Stitched Voices podcast no. 4 is here! Listen to the last of Liv Williams' insightful pieces on the power of conflict textiles.
In today's guest post by Lorna Dillon, we learn more about the history of arpilleras in Chile and beyond, which role they played and still play in denouncing human rights violations, and in the power of the seed of sewn solidarity.
Today, Eileen Harrisson continues her journey into the conflict and the world of arpilleras. Learn more about Continuum, her art work which was exhibited as part of Stitched Voices Aberystwyth, and about the family history and experiences that have found their way into her work.
What value do conflict textiles have for those who created them? And in what ways has the process of the Stitched Voices exhibition itself been valuable? Read our discussion of these questions here.
The third episode of Liv Williams' Stitched Voices podcast is here, featuring Stitched Voices team member Christine Andra and artist Eileen Harrisson - enjoy listening!
In this guest post, Tomoko Sakai reflects on the "Stitching Memoryscapes" exhibition that she organised in three cities in Japan in 2017: Tokyo, Kyoto, and Nagasaki. Read about textile explorations of war, the A-bomb, and natural and nuclear disaster in Japan and their dialogue with conflict textiles from Chile and around the world.
Happy New year, dear Stitched Voices blog followers and friends! We have some more interesting and varied blog posts lined up for you, to make 2018 another year of explorations into the world of conflict textiles. We start with the relaunch of the first part of artist Eileen Harrisson's reflections on her personal "Journey into Conflict and the World of Arpilleras". Enjoy reading!
The arpillera "We are seeds" was not made to be exhibited in an arts gallery. It was made to protest - against environmental pollution caused by the oil industry, forced diappernaces and other injustices in Mexico. Learn more about this disobedient object and its protest life in Jimena Pardo's guest post.
The second episode of Liv Williams' Stitched Voices podcast is here. Enjoy listening!