This week, we continue our discussion of whether Conflict Textiles are arts, crafts or something else, and take a specific look at the reluctance of people inhabiting the "arts world" to take them seriously. Why so? And does it matter?
How do we know that Stitched Voices was by and large a "success", that it was somehow "good"? Success for whom, good in doing what, and who is allowed to judge this? Here are some thoughts and answers.